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Showing posts from December, 2015

Concussion

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Aiming for an Oscar... But a swing and a miss! That's the wrong sports metaphor, isn't it? This review is also up at Channel 24 . What it's about When African immigrant and world-class pathologist, Dr Bennet Omalu discovers extensive brain damage in a series of ex-football players who died under severely strange circumstances in a short amount of time, he uncovers a truth that the National Football League hoped would never get out: that playing football is extremely tough on the brains of those who play it. Based on a true story. What we thought Before dealing with the merits (and notable flaws) of the film itself, I have to ask: how on earth was it a surprise to anyone that a full-contact sport like American Football, a sport that features head-on collisions as a routine part of the game, is a source of massive brain-damage in its players? Seriously, isn't this more or less the equivalent to finding out that boxers have a predilection to getti

Steve Jobs

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And now for something actually worth seeing this week. I mean, aside for the Force Awakens for the 7th time... (Or, in my case, only the 3rd - but I really do want to see it in IMAX) Anyway, back to Steve Jobs, this review is also up at Channel 24 . What it's about A character study of Apple founder Steve Jobs, centred around three product launches over three decades, that examines his work, his relentless quest for perfection and his extremely complicated, often adversarial relationships with even those closest to him. What we thought Standing in stark contrast to the decidedly ordinary biopic, Jobs, which saw Ashton Kutcher in the eponymous role trying his best – but ultimately failing – to capture the many diverse sides of Steve Jobs over pretty much his entire adult life, Steve Jobs is an almost impressionistic take on the man that says everything it really needs to say by focusing on a mere three vital days in his professional life. We don't ge

Point Break (2015)

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Young and dumb and full of... crap? This review is also up at Channel 24 . What it's about Johnny Utah, a young FBI agent, infiltrates a group of extreme sports athletes whose mission to complete eight increasingly difficult endurance tests is backed up by a series of heists – some for personal gain, but most for Robin-Hood-like wealth redistribution. A loose remake of the 1991 film of the same name. What we thought The original Point Break is something of a cult classic among action junkies but aside for the occasional memorable set piece (the firing his gun in the air bit) or the occasionally quotable line of goofy dialogue (“young and dumb and full of cum”), it was never much more than moderately okay. The decision to remake it, then, needn't have been such a bad move as it's always been a smarter idea to remake promising but ultimately flawed films than serious classics, but, as you may have guessed, this slightly more modern Point Break makes the or

Alvin and the Chipmunks: The Road Chip

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With loads of great kids movies out there right now, this really ain't good enough. This review is also up at Channel 24 . What it's about In the fourth Alvin and the Chipmunks movie, after being tormented by her son, the Chipmunks head off to Miami to try stop Dave from proposing to his new girlfriend and leaving them behind. What we thought At this point, what more is there to be said about this unbelievably endurable franchise? From a sixties Christmas novelty hit to this latest major(ish) film series – I'm still trying to get over the fact that this is the fourth installment – there's just no keeping Alvin, Simon and Theodore down. Unfortunately, based on the evidence of the Road Chip, they are well beyond in need of a long nap. Admittedly, it is somewhat hard to review a film aimed squarely at no one over the age of six when you're a thirty-four-year-old man, but the real problem with this third Chipmunks sequel is that it is so tired

Star Wars Episode VII: The Force Awakens

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This review is also up at Channel 24 .   Disclaimer/ Preamble/ No-Spoiler Warning: So, we have a brand new Star Wars movie: the first created without the input of George Lucas, the first to fall under the Disney umbrella and the first of an already rapidly expanding film universe that will include both direct sequels and spin-offs/ one-shots and, , prequels. The problem with talking about Star Wars Episode VII: The Force Awakens (to give it its proper title), though, is that you can't really talk about it. The film has been marketed in such a way as to give as little information as is humanly possible about the actual plot, who these new characters are and how they fit in with old favourites, Luke, Leia, Han and Chewbacca – and I'm certainly not gong to be the guy that ruins it. If you're looking for spoilers, basically, feel free to look elsewhere, as you ain't gonna find them here. Instead, I'm going to try talk about what works (and what, perhaps,

Victor Frankenstein

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Don't call me Ee-gor. This review is also up at Channel 24 What it's about The latest retelling of Mary Shelly's Frankenstein, tells the very familiar story from the point of view of Victor Frankenstein's lowly assistant, Igor: in this version a nameless circus hunchback with a brilliant medical mind who is freed by Frankenstein and, after taking the name of the good doctor's absent roommate, starts to assist him in his mission to create life out of death. What we thought For all that Victor Frankenstein tries to make itself out to be a fresh new take on the extremely well worn story of Frankenstein and his “Modern Prometheus”, the main problem with the film is precisely that it feels tired and stale more than anything else. There are some spirited and enjoyable performances, most notably Daniel Radcliffe as Igor and James McAvoy as the titular character but even if everything is put together with competence by director Paul McGuigan, the

Creed

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Revitalizing the Rocky franchise, once again. Seriously, how does this still work? And yet here we are, six for seven good Rocky flicks. Amazing. Check out this review at Channel 24 as well. What it's about The seventh installment in the Rocky series focuses on Adonis Johnson, Apollo Creed's youngest, illegitimate son whose troubled early life took a decided turn for the good when Creed's widow, Mary Anne, invites him to live with her after he finds himself once again falling foul of the system. Years later though, with the aid of a loving mother figure, a fine home life and a great education, Adonis is thriving as an up and comer in the financial sector but the old family calling proves to be too much for him and he heads off to try make a name for himself – his own name – in professional boxing by enlisting the help of his father's rival/ protege/ best friend, Rocky Balboa. What we thought It was already pretty amazing that 2006's Rocky Ba

Good Kill

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Good Kill, worthy topic, only OK movie. This review is also up at Channel 24 What it's about A drone pilot, desperate to get back into the air himself, starts to question the ethics of what he does when his unit is assigned to work with the CIA on increasingly destructive missions and his family life starts to take a turn for the worse. What we thought Good Kill is a timely, worthy, perhaps even important film that manages to tackle a complex issue with both even handedness and honesty. Unfortunately, as a piece of drama, it falls remarkably flat. The film actually never got much widespread distribution in the States and, though some have assumed that this much surely be a reflection of the film's delicate subject matter, I dare say that it's probably just because the film is a far better fit for something like the History channel than the cinema. Written and directed by Andrew Niccol, a filmmaker whose better works include Gattaca and writing the