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Showing posts from June, 2016

Independence Day: Resurgence

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Well, it could be worse, I suppose. But, really, it ain't a patch on the original. This review is also up at Channel 24 What it's about Twenty years since the events of the original Independence Day, the earth has come together as never before and, making use of the abandoned alien technology to strongly beef up the earth's own tech, are fully armed and equipped to deal with a followup alien invasion. What they get, however, is far more than they could ever have bargained for as it turns out that the original alien spaceship was little more than a scout for something much, much larger and much, much more deadly. What we thought A quick disclaimer: Because of all the construction going on at Nu Metro Hyde Park, the cinema in which I saw this film suffered from the quite typical side effect of all the dust screwing with the projection to the effect that the dark scenes were darker than they should be and the light scenes lose much of their sharpness and

I Saw the Light

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I'm starting to think that Love and Mercy has spoiled these kinds of films for me. This review is also up at Channel 24 What it's about The true story of Hank Williams, the legendary country musician who set the course for popular music for the next half century but whose personal life was every bit as troubled as the bleak lyrics of his songs suggested. What we thought Hank Williams was, in no uncertain terms, one of the single greatest and most influential figures in 20 th century popular music. His songs of love and heartbreak all but entirely defined what country music would be from then and on and, just as importantly, if you can't hear the beginnings of early rock and roll in his recordings, then you're clearly not paying any attention at all. It's a pity then that that this extraordinary – if highly troubled - talent has received such a thoroughly ordinary biopic in the form of I Saw the Light. With its tiresomely familiar tale of

The Keeping Room

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One day, a truly great "feminist Western" will come along. Sadly, despite its best intentions, this ain't it. This review is also up at Channel 24 What it's about In the latter days of the American Civil War, a young woman, her teenage sister and their former slave have to fend off their home from a couple of rogue Northern soldiers. What we thought Following in the footsteps of Jane Got a Gun, the Keeping Room is another “Feminist Western” that has almost exactly the same strengths and weaknesses of that troubled Natalie Portman vehicle. The very idea of telling a western from a female point of view is a great one, as it should, in theory at least, breathe some new life into a genre that seemed for a while there to have run out of things to say. This is a story of the civil war told by those that were left behind; traditionally domicile women trying to fend for themselves while their “protectors” and breadwinners are away, perhaps never to

The Conjuring 2

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Another crummy horror sequel? Maybe not! This review is also up at Channel 24 What it's about Lorraine and Ed Warren are called out of semi-retirement to investigate a case in England where a single mother and her four children are plagued by what seems to be the ghost of the house's former owner. What we thought To date, the Conjuring has been the best of James Wan's horror oeuvre (I still enjoy the deliriously nutty Fast and Furious 7 the most of all his films, though) and its sequel pretty easily lives up to its predecessor. Once again, the cliches of Wan's work do occasionally grate (is there anything more predictable than a James Wan jump scare?) but it's otherwise a really solid, nicely creepy little haunted house flick that easily stands out from a crowded and more often than not disappointing crowd. Once again, a big part of the Conjuring 2's appeal is in its real-world origins. Whether you believe in ghosts, demos and other pa

Comics Talk: A Tribute to Darwyn Cooke

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Needless to say, I really wish I wasn't writing this column but there was no way I was going to let the untimely death of  one of my all-time favourite comic book creators go unmentioned. This is obviously from the point of view of a fan. I certainly didn't know the guy at all - didn't even get to meet him at a comic-con like many American or European fans might have - but he did seem pretty damn cool (if utterly intolerant of bullshit) based on the interviews with him I've seen, heard or read. For a particularly lovely tribute to Darwyn Cooke as a man, be sure to check out Josh Flanagan's (from the excellent iFanboy podcast) thoughts on his friend at his blog here  and in an emotionally-charged episode of the podcast here where Josh and fellow iFanboys Ron and Conor dedicated the last half hour or so of this week's episode talking about him (as well as their friend and up-and-coming comedian Timmy Wood who also tragically died that same weekend).    For n